Chelsey Webb

Technical Rider

What we need from your venue

What We Bring

All instruments & backline — drums, bass rig, electric guitars, acoustic, fiddle, pedal steel
4× Shure SLXD wireless vocal mics — Beta 58 + SM57 capsules
Backing tracks rig with click + cues for the entire band
Personal IEM packs for all 5 members — silent stage capable
DI boxes for every direct source on the input list
Music director / front-of-house liaison for advance + soundcheck

We’re fully self-contained. We hand off pre-labeled tails matching the input list — plug us in and we’re good to go. Minimal staging time, zero scramble at soundcheck.

What We Need From Venue

Required A PA professional and sized for the room. Subs preferred for rooms above ~250 cap. That’s genuinely the only thing we strictly can’t show up without — everything below is preferred, not mandatory.

Preferred — helps us deliver the best show

Mixing console with 20+ available inputs — full setup runs up to 20 channels to FOH (18 for 5-piece). We can strip down to ~11 channels for smaller boards or festival patch — just advance with us
FOH engineer with a digital console (X32, M32, SQ, CL/QL, S6L, dLive, etc.). Happy to plug into anything modern
3× 20-amp circuits within 25′ of stage, on separate breakers
Performance area — 12′ × 10′ or larger is comfortable; we’ve made it work on tighter stages too — just let us know in advance
Mic stands — 6 mic stands + 1 low-profile kick drum stand. 4 of the 6 must accommodate Shure SLXD wireless body mics (band-provided)
Drum riser — 8′ × 8′ × 12″ preferred, not required
Stage lighting — front wash + back / mover package preferred for festival or theater shows
Load-in access — ramp or single-step preferred, parking within 100′
Green room + 5 hot meals (or per diem) for shows over 4 hours
House production manager on site at load-in for advance walkthrough — ideal at festivals or larger venues

Our Rig — The Self-Contained Setup

Visual proof we’re ready to roll. Pre-labeled FOH tails fan out from our patch panel so your engineer plugs in once and patches the whole input list in minutes — no scrambling, no guessing.

FOH Tails · Fan-Out

Color-coded XLR ends, pre-labeled to match the input list. Single trunk to your patch.

Full band rig in road case — wireless receivers, IEM splitter, patch panel

Band Rig · Road-Cased

Wireless receivers, IEM splitter, tracks rig, and patch panel — all rolling on a single Pelican-style case.

Multipin connector on band rig — single trunk output to FOH

Multipin · To FOH

Single multipin trunk carries every channel to your console — one connection, fans out at FOH (see image 1).

Input List

19–20 channels to FOH for the full 6-piece configuration (channel 12 / live bass is occasionally on the gig — advance with us). Talkback mics and click/cues are routed internally to band IEMs — they don’t hit your console. Wireless vocal pack is band-provided; venue provides all other mics and DIs unless otherwise arranged.

CH	Source	Mic / DI	Notes
Drums — To FOH
1	Kick	Audix D6	Inside head, 4″ off beater
2	Snare	Audix i5	Edge of head, 1″ above
3	Rack Tom	Audix F2	Clip-on or stand
4	Floor Tom	Audix F10	Clip-on or stand
5	Drumpad	DI	Sample pad output
6	Overhead	Audix ADX 51	Single OH pencil condenser
Instruments — To FOH
7	Fiddle	DI	Pickup output
8	Pedal Steel	DI	Pre-amp output
9	Guitar L	DI	Stereo electric guitar — left
10	Guitar R	DI	Stereo electric guitar — right
11	Acoustic	DI	Pre-amp output
12	Bass Optional	DI	Live bass — only on occasion. Patch only when bass player is on the gig — advance with us
Talkback — Internal Only (not to FOH)
13	Band Talkback	NA	Routed via band rig — do not patch to console
14	Drum Talkback	NA	Routed via band rig — do not patch to console
Vocals — To FOH (band-provided wireless)
15	Ken VOX	Shure SLXD · SM57	Wireless — band-provided
16	BG VOX	Shure SLXD · SM57	Wireless — band-provided
17	Chelsey VOX	Shure SLXD · Beta 58	Lead vocal — wireless — band-provided
18	Andrew VOX	Shure SLXD · Beta 58	Wireless — band-provided
Backing Tracks — To FOH (band rig output)
21	Trax L	DI	Stereo backing track — left
22	Trax R	DI	Stereo backing track — right
23	Trax Bass	DI	Sub / bass stem
24	Trax Perc	DI	Percussion enhancement stem
Click & Cues — Internal Only (not to FOH)
27	Click	NA	Band IEMs only — do not patch to console
28	Cues	NA	Band IEMs only — do not patch to console

18 channels to FOH for the 5-piece configuration — same as the full setup minus pedal steel (channel 8) and live bass (channel 12). Channel numbering preserved to keep the band rig consistent. Talkback mics and click/cues remain internal-only.

CH	Source	Mic / DI	Notes
Drums — To FOH
1	Kick	Audix D6	Inside head, 4″ off beater
2	Snare	Audix i5	Edge of head, 1″ above
3	Rack Tom	Audix F2	Clip-on or stand
4	Floor Tom	Audix F10	Clip-on or stand
5	Drumpad	DI	Sample pad output
6	Overhead	Audix ADX 51	Single OH pencil condenser
Instruments — To FOH
7	Fiddle	DI	Pickup output
9	Guitar L	DI	Stereo electric guitar — left
10	Guitar R	DI	Stereo electric guitar — right
11	Acoustic	DI	Pre-amp output
Talkback — Internal Only (not to FOH)
13	Band Talkback	NA	Routed via band rig — do not patch to console
14	Drum Talkback	NA	Routed via band rig — do not patch to console
Vocals — To FOH (band-provided wireless)
15	Ken VOX	Shure SLXD · SM57	Wireless — band-provided
16	BG VOX	Shure SLXD · SM57	Wireless — band-provided
17	Chelsey VOX	Shure SLXD · Beta 58	Lead vocal — wireless — band-provided
18	Andrew VOX	Shure SLXD · Beta 58	Wireless — band-provided
Backing Tracks — To FOH (band rig output)
21	Trax L	DI	Stereo backing track — left
22	Trax R	DI	Stereo backing track — right
23	Trax Bass	DI	Sub / bass stem
24	Trax Perc	DI	Percussion enhancement stem
Click & Cues — Internal Only (not to FOH)
27	Click	NA	Band IEMs only — do not patch to console
28	Cues	NA	Band IEMs only — do not patch to console

10–15 min changeover Built for festivals and shared-bill shows where speed is everything.

11 channels to FOH (up to 13 with optional pedal steel and/or live bass on the gig). We piggyback on the previous band’s drum setup — your house drum mics stay patched, untouched, and remain your only drum sources to FOH. We add our own kick (Audix D6) and overhead (Audix ADX 51) on top of the house mics, but those are routed internally to our band’s IEMs only — not to your console. Everything else patches in via labeled tails matching this list. Mono guitar (one side only). Click and cues remain internal as well.

CH	Source	Mic / DI	Notes
Instruments — To FOH (via band tails)
1	Fiddle	DI	Pickup output — band tail
2	Acoustic	DI	Pre-amp output — band tail
3	Electric Guitar	DI	Mono — single side, no stereo — band tail
12	Pedal Steel Optional	DI	Patch only if pedal steel is on the gig — advance with us
13	Bass Optional	DI	Live bass — only on occasion. Patch only when bass player is on the gig — advance with us
Vocals — To FOH (band-provided wireless)
4	Chelsey VOX	Shure SLXD · Beta 58	Lead vocal
5	Andrew VOX	Shure SLXD · Beta 58	Wireless
6	Ken VOX	Shure SLXD · SM57	Wireless
7	BG VOX	Shure SLXD · SM57	Wireless
Backing Tracks — To FOH (band rig output)
8	Trax L	DI	Stereo backing track — left
9	Trax R	DI	Stereo backing track — right
10	Trax Bass	DI	Sub / bass stem
11	Trax Perc	DI	Percussion enhancement stem
Band’s Internal Drum Mics — IEM Only (not to FOH)
—	Kick (band-provided)	Audix D6	Band IEM only — house kick remains your only FOH drum source
—	Overhead (band-provided)	Audix ADX 51	Band IEM only — house OH remains your only FOH drum source
Click & Cues — Internal Only (not to FOH)
—	Click	NA	Band IEMs only
—	Cues	NA	Band IEMs only

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What we need from your venue

What We Bring

What We Need From Venue

Preferred — helps us deliver the best show

Our Rig — The Self-Contained Setup

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